Services
Five areas of studio work, from the first floor plan to a rehearsed live show.
Five services for news and live studios
obychnyzo works on the practical side of television studios: where things stand, how they are lit and heard, and how a show runs once the red light is on. Each service can be taken alone or combined, depending on what your team already has in place.
Studio Setup and Layout
We plan the floor, equipment positions and cabling of a news or live-show studio so crews can work without getting in each other's way.
Camera Operation Training
Hands-on sessions for operators covering framing, smooth moves, pedestal and robotic camera control during live programmes.
Lighting Design
Lighting plots for presenters, desks and sets, balancing key, fill and backlight for consistent on-screen skin tones.
Studio Sound and Talkback
Microphone placement, audio mixing and intercom setup so presenters, directors and crew hear each other clearly.
Live Show Workflow Planning
Run-sheets, cue systems and gallery routines mapped out so a live show moves smoothly from rehearsal to broadcast.
Tell us what the studio is used for and who works in it. Scope is agreed in writing before any work starts, and we adjust it with you as the picture becomes clearer.
ContactFrom first enquiry to a studio that runs
Every project follows the same sequence, whether it is a single lighting plot or a full studio layout. Each step ends in something written down, so producers, engineers and crew all work from the same document.
Enquiry
You write to us through the contact page and describe the studio, the programmes it carries and the problem you want solved. We read it carefully and may reply with a few questions about space, crew size and existing equipment.
Site conversation
We talk through the room with whoever knows it best, usually the studio manager or lead engineer. Where useful, we look at plans or photographs, and a visit is arranged when the work needs one.
Written quotation
We set out what the work covers, what it leaves out and what could change the cost. Nothing proceeds until you have read it and confirmed in writing that it matches what you expected.
Delivery
The work itself takes place: layout drawings, lighting plots, audio and talkback set-up, camera sessions or run-sheets, depending on the service. We keep the people who will use the studio involved throughout.
Handover and invoice
We go through the results with your team, answer remaining questions and note anything to revisit. An invoice follows, payable by bank transfer under the payment and refund terms.
What helps us before work begins
A short, clear description of the studio saves more time than almost anything else. Tell us whether it carries news, live shows or both, how many presenters appear on air at once, and how many people usually work on the floor and in the gallery.
If you have floor plans, a rough sketch is enough. We would rather see a hand-drawn layout with real measurements than a polished drawing that no longer matches the room. Photographs of the ceiling, the walls and the cable routes are equally useful.
Equipment lists matter too, even incomplete ones. Knowing which cameras, mixers and intercom units you already own lets us plan around them instead of proposing replacements you do not need.
For training and workflow work, think about who should take part. Camera operators, directors and floor managers each see a live show differently, and sessions go better when the right people are in the room together.
Finally, consider the timetable of the studio itself. Live programmes rarely stop, so we plan work around your broadcast schedule. Tell us when the room is free and when it is not, and we will fit the work around it.
Describe your studio and what you need from it
Write through the contact page about your layout, cameras, lighting, sound or live workflow. We will reply with questions or a written quotation for the work you have in mind.
Contact